About Ipu Artist, Momi Greene
In 1990, Momi embarked on her journey as an Ipu (gourd) Apprentice under the mentorship of Dr. Bruce Ka’imika Crisman at Bishop Museum, participating in the NHCAP Program. Dr. Crisman entrusted her with 40 Hawaiian Variety seeds, each in three distinct shapes, setting the stage for her artistic exploration. Over the next several years, she engaged in sporadic yet dedicated study with him, immersing herself in the art of gourd crafting through hands-on learning and experimental techniques.
Momi's dedication to her craft has endured for two decades, marked by a continuous journey of experimentation. Her portfolio spans both Traditional and Contemporary Designs, showcasing her versatility and innovation. What distinguishes her work is her commitment to utilizing dyes derived exclusively from Endemic, Indigenous, and Hawaiian Introduced trees, plants, shrubs, vines, and their various components.
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Throughout her artistic career, Momi has been affiliated with esteemed organizations such as Hale Ku’ai in the 90’s and Hau’ula, as well as Hiko’ula and H.O.E.A. in Waimea. She proudly carries the distinction of being associated with MAMo and the PA’I Foundation, where her artistry finds a nurturing space to thrive. Her contributions also extend to the Annual Merrie Monarch Invitational Craft Fairs, where she shares her creations with a wider audience.
Currently, Momi's artistry is on display at Bishop Museum in the "OLA KA NO’EAU" exhibition, running from March to September, alongside 12 other talented native Hawaiian artists who are showcasing their traditional artworks. This exhibition serves as a testament to her enduring dedication to the art of gourd craftsmanship and its profound connection to Hawaiian culture and heritage.
Selected Press
Hawaii Public Radio, March 13, 2023
National Park Service, December 2018
Hawaii Tribune Herald, November 21, 2018
LA Times, February 1, 2013
Activism
On July 12, 2019, a significant call was made for the proposed construction of a colossal 150-foot telescope atop the sacred mountain known as MAUNA WAKEA, a mountain with a history dating back to the Ice Age. This mountain, once untouched by human construction, has already witnessed the desecration of its sacred grounds with the installation of 13 telescopes. Remarkably, these telescopes became obsolete within just a few years, necessitating their replacement, all without the due respect owed to the Native Hawaiian Peoples.
The introduction of this monumental telescope has been met with strong opposition from the Native Peoples who consider it a profound disturbance to the environment and their sacred heritage. Among the courageous individuals who took a stand against this project, Aunty Momi stands out as one of the 38 Kupuna, revered elders who physically blocked access to the construction site. Their peaceful demonstration resulted in their arrest as they defended the sanctity of MAUNA WAKEA and the ancestral traditions of their people.